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Since time immemorial interior surfaces of homes have been beautified by artisans and craftsmen with decorative paint techniques. These treatments that attract the eye are in vogue today for the purpose of camouflaging or improving design details or just adding some class to a sober decor.
The main elements of expression in home design are texture, color and form. The structure of the environment is shaped by form and the mood is affected by color and texture. A room can be made colorful through the paint medium with its unlimited shades and methods that open up a new dimension of decor.
Methods of decorative painting are of two types: The first type has faux finishes (faux means false in French) consisting of faux marbling, faux wood graining and Trompe l'oeil (to fool the eye) meaning to copy a real object or material. In the latter category is a style which forms realistic central points or vistas by freehand application.
Another class of decorative painting methods consists of treat-ments that only decorate. In such are included sponging, ragging, comb-ing, stenciling etc that are some of the adorning finishes to liven up interi-ors.
For simulating rich surfaces without the cost of expensive building material marbling and wood graining are best. Through faux marbling an illusion of the aristo-cratic natural stone is created in small to large spaces. As natural marble has depth and a variety of color it permits faux painters much liberty to produce finishes ranging from vivid to simple.
The skill of applying various color paints to a uniform base coat is known as sponging and it accom-plishes a finish that is multitone. It gives depth and texture to any wall and the depth increases according to the number of colors sponged over the base coat. Shades and sponge tints of the same hue as that of the base coat produce an air of calmness.
In dragging a simple me used made of only dragging brush across a wet glaze applied over a base coat. It prod the texture of fine linen or paper. For making a strong 'i statement complementary col should be utilized. For a sub effect tints and hues of the same c should be used.
Combing is another type dragging in which a comb is dragged through a wet glaze applied on base coat. Various kinds of pa may come with this method, Straight, moire, wavy, crossha and basket weave. The size of is according to the scale of the If it is a large wall a wide comb is and for small walls a narrow co used. A restful atmosphere is c through this and therefore it is in bedrooms.
An impression of light-he joy can be created through splatter color. It is an ancient techniq decorating walls. Using a splatter machine with nozzles that can be adjusted droplets of paint are sprayed walls. A subtle effect is created hen the base coat and splatter color shades of the same color and an effect of confetti is created when N oral contrasting colors are used.
Through stenciling walls can be ted by emphasizing an edge or ing a fabric print. It improves or of a room. Stencil borders done at any height, whether the ceiling, at a chair rail height d a window or door casing.. not used only in borders but an on of wall paper can be created a print matching that of the utilized in interiors.
A method of hiding rough or ,urfaces is known as ragging v if flat paint is used both for and the glaze. Diverse are concocted with different II at depend on the texture of entail 'c and the haphazard wrinkles rag. Children's bedrooms entail a lot of wear and tear are ' for this method of painting.
The proportions of the room and onal tastes and creative ideas c the category of pattern one During the festive season Especially walls can be dressed up in an exotic innovative way.
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